Formal Tertiary Education Qualifications and Study Experience
2006 PhD, School of Art History and Theory (written research and artwork), College of Fine Arts, University of New South Wales (COFA, UNSW). Thesis title: Telepathy in Contemporary, Conceptual and Performance Art. Available for full download online via the UNSW Library database, with hardcopy stored in the library. Supervised by Professor Charles Green, Associate Dean Mr Graham Forsyth and Associate Professor Peter Hill. Awarded 5 May 2006
1999 Master of Arts, Visual Arts (Research), Institute for the Arts, Australian National University (ITA, ANU). Thesis title: Metaphors of Telepathy, Telecommunications and Transference, 80% studio thesis, 20% written thesis. Supervised by Painting teaching team: Dr Ruth Waller, Mr Robert Boynes, Ms Deborah Singleton, and in Art History and Theory: Dr Helen Ennis, Mr Gordon Bull. Awarded 12 May 2000
1995 Honours 1 (ANU's University Medal in Painting) Bachelor of Arts (Visual Arts) ITA, ANU; which included an Independent Research Unit at École nationale supérieure des Beaux-art, Paris (study with Marina Abramoviç and Krzysztof Wodiczko). Awarded 19 April 1996
1994-95 École Nationale Supérieure des Beaux-art, Paris. Enroled with Marina Abramoviç, and undertook Abramoviç’s The Clean House Project; selective enrolment via interview in Krzysztof Wodiczsko’s Practical and Theoretical Course in Cyberspace.
Selected Scholarships and Grants
2015 Saas-Fee Summer Institute of Art (affiliated with but not part of European Graduate School), Full Scholarship, awarded by organisers Warren Neidich and Barry Schwabsky
2015 Developing and Recognising Talent (DART) Sponsorship $1000, Gosford City Council for travel to Saas-Fee, Switzerland
2014 Developing and Recognising Talent (DART) Sponsorship $1000, Gosford City Council for travel to Istanbul (augmented by $3500 Pozible crowdfunding via Gianni Wise)
2011 NAVA Artist Grant for NSW Artists
2009 ‘Curriculum Refresh’, grant co-recipient - funded three-weeks of individual research travel to United Kingdom, Ireland and Portugal, School of Creative Arts (SOCA), Faculty of Law, Business and Creative Arts, JCU.
2008 NAVA Janet Holmes a Court Artists Grant (National Award)
2005 ‘Helen Lempriere Travelling Art Scholarship’, NSW Ministry for the Arts, exhibiting finalist
2004 ‘Helen Lempriere Travelling Art Scholarship’, NSW Ministry for the Arts, exhibiting finalist
2003 Australia Council New Work shared grant for group show Terrain, Australia Council and Bathurst Regional Art Gallery
2003 ‘Helen Lempriere Travelling Art Scholarship’, NSW Ministry for the Arts, exhibiting finalist
2002 GAS Grant, COFA Student Association, UNSW
2002 ‘Helen Lempriere Travelling Art Scholarship’, NSW Ministry for the Arts, exhibiting finalist
2001 ‘Helen Lempriere Travelling Art Scholarship’, NSW Ministry for the Arts, exhibiting finalist
1999-02 Australian Postgraduate Award, DETYA stipend for 3 years 9 months (National Award)
1998-99 Marten Bequest Travelling Art Scholarship, Arts Management, stipend for two years (National Award)
1994 Telecom Travelling Art Scholarship for 7 months study at École nationale supérieure des Beaux-art (ENSBA), Paris, Canberra School of Art, ITA, ANU
Selected Prizes, Residencies and Other Awards
2015 Paramore Prize: Art + innovation, Casula Art Centre, finalist
2014 Incinerator Art Award, Incinerator Gallery, Melbourne, finalist
2014 Fischer’s Ghost Award, Campbelltown Arts Centre, Sydney, finalist
2014 Grace Cossington Smith Award, Grace Cossington Smith Gallery, Sydney, finalist
2013-14 (ongoing) Invited by Jo Ellsmere and Ian Murray to work in MacGrid, an experimental virtual residency and virtual work space for virtual world performance artists and collaborators, provided with log on ID and password
2013 Firstdraft Depot Residency
2013 Blake Prize for Religious Art, finalist
2013 Olive Cotton Portrait Prize, finalist
2012 Hidden: A Rookwood Sculpture Walk, Sydney, finalist
2012 Inaugural Skillset’s Flannery Centre Art Prize, finalist, Flannery Centre, Bathurst, finalist
2011-12 4.5 month Residency at Artspace Visual Arts Centre, awarded by Artspace & NSW Ministry for the Arts
2011 Blake Prize for Religious Art, Finalist
2008 8 month Residency at Artspace Visual Arts Centre, awarded by Artspace & NSW Ministry for the Arts
2007 Duke Prize, Gold Coast City Art Gallery, Gold Coast, finalist
2006 Self-Raising, COFA SA emerging art + design award, winner of Major Prize
2006 Woollahra Small Sculpture Prize, Woolahra, finalist
2005 Elastic, COFA SA emerging art + design award, winner of Highly Commended prize
2000 Two month residency in the Power Institute Studio, Cite International des Arts, Paris, awarded by Mdm. Brunau and the Cite (International/France)
1999 Dyason Bequest, Art Gallery of New South Wales (AGNSW)
1998 Three month residency, Dr Denise Hickey Paris Studio, Cite Internationale des Arts, Paris, AGNSW
1995 The University Medal in Visual Art, Painting, Canberra School of Art, ITA, ANU
1995 The Janet Johnston Award, Emerging Artists Support Scheme, Canberra School of Art
1991 Tessa Lobb Memorial Art Prize, Bathurst
Selected Individual Exhibitions
2016 (forthcoming) Macquarie University Gallery – TBC, invited by Gallery Manager Rhonda Davis to have a dual solo show concurrent with Fiona Davies
2015 (forthcoming) ‘Feminist Telepathies’, Verge Gallery, University of Sydney
2014 ‘Disco Ball Gaze’, Free Fall, The Cube, Oxford Art Factory, Sydney
2013 ‘Unidentified Flying Data’, Firstdraft Gallery, Sydney
2012 ‘Wirxli2’s Telepathic Resurrection’, Inflight ARI, Hobart, collaborating with Jeremy Owen Turner (Vancouver)
2012 ‘Open Studio’ Studios 6 and 11 Artspace Visual Arts Centre
2011 ‘Weather Underwater with ELF Telepathic Fascinator Balaclava’, Firstdraft, Sydney
2010 ‘Weather Underwater’, Blindside Gallery, Melbourne
2009 ‘Weatherman UFOlogy with baseball bats’, Critical Animals, This Is Not Art Festival, Newcastle
2008 ‘Weatherman Ufology 2’, Kings ARI, Melbourne
2007 ‘Weatherman Ufology 1’, Firstdraft Gallery, Sydney
2006 ‘Flickering Cosmic Bruises’, Blankspace, Sydney
2002 ‘The Soft Machine, The Influencing Machine’, Kudos Gallery, Sydney
2001 'Telepathy Through the Telescreen', Bathurst Regional Art Gallery (BRAG), Bathurst
2000 'Ectoplasm', Cite International des Arts, Gallery One, Paris
2000 ‘Masters by Research Examination Exhibition’, Canberra School of Art, Foyer Gallery, Canberra
1999 ‘Preview’, Canberra School of Art, Main Gallery, Canberra
1995 'Operation Sea Goddess', Australian National Capital Artists Gallery, Canberra
1995 Satellite exhibition to 'Finish: 1995 Graduating Students Exhibition', Painting Department, CSA, Canberra
Selected Live Performances
2014 ‘Disco Ball Gaze’, Free Fall, The Cube, Oxford Art Factory, Sydney
2014 ‘Eco Spirit’, Morton House, Modern Art Projects, Woodford, Blue Mountains, the artist curator wears EEG DNA data skullcap
2013 ‘Weatherman UFOlogy (City Data Hub)’, digital media interactions and visualization using EEG neuroheadset data-input, woven telecommunications wire headpiece performance, and drawing/writing data-input performance interactions, Firstdraft Gallery
2013 ‘Weatherman UFOlogy (Kandos Occupation)’, participatory collaborative performance with viewing audience inside the UFO sculpture at Cementa_13, curated by Georgie Pollard, Alex Wisser and Anne Finnegan
2012 ‘Standing in the Grass’ in 2012 Odyssey Contemporary Art and Performance Festival ‘End of the World and After Party’, a collaborative performance as Wirxli2 with Gijs Van Hesteren, live on the Odyssey Contemporary Art and Performance Simulator in Second Life and at participating meat spaces: Museum Sorgdrager, Ameland, the Netherlands; Black Bag Media Collective Studio, St. John’s, Newfoundland, Canada; internationally curated by Haglet Alter
2011 Performer and collaborative facilitator of participatory object relation performances using Telepathic Balaclava Fascinators at Occupy Sydney and Occupy Melbourne.
2010 ‘Invisible Minority Report’, I appeared as the Second Life avatar Jacquelene Utherwurldly with the collaborative performance group known as The Invisibles – Ben Unterman/Cunzai Park, Diego Silan Maranan/Keepmoving Mannonen, Jeremy Owen Turner/Occlude Varthader and Sara Coffin/Mobileunit Loonie (all from Canada, with Diego also from the Phillipines). The performance took place at The Gate—an installation that links virtual and real worlds—on Odyssey Island in Second Life for the 8th Shanghai Biennale. Internationally curated by Yves Bernard and Yannick Antoin
2002 ‘Decapitation Performance’, 15 minute performance with three actors, Kudos Gallery, Sydney
1999 ‘Animal Magnetism’, one month viewer interactive performance x gallery hours, Artspace, Sydney, internationally curated by Adam Boyd
1999 ‘Inside the Confession Box: Bubblegum Bubbles and Screaming’, 30 minutes, Canberra School of Art Gallery, Canberra
1995 ‘Continuous Eating of Grapes’, two hours, Saint Chapelle, ENSBA, Paris, internationally curated by Marina Abramoviç
1994 ‘Tree Repetition’, 10 minute viewer interactive performance, Crestet Centre D’Art, France, internationally curated by Marina Abramoviç
Selected Group Exhibitions
2016 (forthcoming) ‘Futile’, Archive Gallery, Sydney, curated by Alex Wisser
2015 (forthcoming) ‘As If’, touring to Signapore, gallery TBC, curated by Adeline Kueh and Peter Hill (first shown in 2014 at Kings ARI
2015 Saas-Fee Summer Institute of Art Exhibition, various locations in Saas-Fee, Switzerland, internationally curated by Ludovica Parenti, Katja Hogenboom, Matt Hansen, Ben Busche, Carla and Stefanie Greene.
2015 5th International Riga Textiles and Fibre Triennale Tradition and Innovation: DIVERSITY&UNITY, Arsenāls, Riga, with Latvian National Museum of Art/ Museum of Decorative Arts and Design, 23 April – 10 June
2015 ‘Notes Towards a Future Feminist Archive,’ Cross Arts Books, with Contemporary Art and Feminism’s (CAF) conference at National Art School and Sydney College of the Arts, curators Bronia Iwanczak and Lynne Barwick
2015 Paramor Prize: Art + Innovation, Casual Powerhouse, Sydney
2014 ‘Incinerator Art Award’, Incinerator Gallery, Melbourne
2014 ‘As if’, Kings ARI, Melbourne, curated by Peter Hill and Adeline Kuch as part of Limitless City: Abstraction, Materiality and Authenticity (TBC touring to Signapore)
2014 ‘Beyond/Supernatural’, QUAD Gallery, Derby, UK, curated by Michael Sargent and Sarah Watson
2014 ‘Fischer’s Ghost Award’, Campbelltown Arts Centre, Sydney
2014 ‘Grace Cossington Smith Award’, Grace Cossington Smith Gallery, Sydney
2014 ‘Eco Spirit’, invited by MAP historic modern houses project funded by Blue Mountains City Council, working with Morton House, curated by Jacquelene Drinkall
2014 ‘Redfern Biennale’, initiated by Damien Minton, Gallery Minton Gallery and local Redfern streets, Sydney
2013 ‘Brainrain’, Alaska Gallery, Sydney, curated by Gianni Wise
2013 ‘Niteworks’, Bundanon Art Trust, curated by David Cranswick
2013 ‘Blake Prize for Religious Art’, finalists exhibition, Galleries UNSW
2013 ‘Olive Cotton Portrait Prize’, Tweed Heads Art Gallery, curated by Helen Ennis
2013 ‘Carpentry of Speculative Things: An Art Experiment’, curated by Prue Gibson, Alaska Gallery, Sydney (forthcoming), opened by philosopher Dr. Justin Clemens
2013 ‘Solid Ground II’, ATVP Gallery, Sydney, curated by Tom MacPhaill
2013 Cementa_13, festival of 40+ artists, curated/directed by Georgina Pollard, Alex Wisser, Anne Finnegan, Kandos NSW
2012 ‘Dirty Deeds’, Salmagundi Studio Gallery, Sydney
2012 ‘Inaugural Skillset’s Flannery Centre Art Prize’, finalist, Flannery Centre, Bathurst, selected and curated by Ben Barden, Peter Wilson and Sarah Gurich
2012 ‘Hidden: A Rookwood Sculpture Walk’, finalist, Sydney, curated by Cassandra Hard Lawrie (forthcoming)
2012 ‘Holy Smoke’, Alfa Gallery, Sydney, curated by Luisa Velasco and Michael Petrovsky
2012 ‘Occupy this Invasion’, Little Fish Gallery, Sydney, curated by Luisa Velasco
2011 ‘Virtually Reality’, At The Vanishing Point Gallery, Sydney, curated by Adrianne Doherty
2011-12 ‘Touring Exhibition of Selected Blake Prize for Religious Art Finalists’, QUT Art Museum in Brisbane, Delmar Gallery in Sydney, The Schoolhouse Gallery in Tasmania, Manning Regional Art Gallery in Taree.
2011 Blake Prize for Religious Art Finalists Exhibition, National Art School Gallery, Sydney
2011 ‘… a bloody good painting show’, General Store for Contemporary Art, Sydney, curated by Ben Gavin
2010 ‘Dream Weavers,’ CAST Gallery, Hobart, curated by Daine Singer and Kate Just
2010 ‘Remote Viewing’, Peloton, Sydney, internationally curated by Claire Taylor
2008 Gallery 4A, Sydney, curated by Aaron Seeto
2008 Fun D Raiser, Sydney, MOP Gallery
2008 Poster Show, Firstdraft Gallery
2008 ‘Kudos to Kudos,’ Kudos Gallery, curated by Marcel Cooper
2008 ‘Ring of Fire: Gang Festival,’ Gallery44, Sydney
2007-8 ‘Duke Prize, Gold Coast City Art Gallery, Gold Coast, selected by Anthony Bond
2007 ‘Other News/Other Worlds’ Auckland, New Zealand, internationally curated by Aaron Seeto
2007 ‘Earthlings’, Gallery 44, Sydney, with Geraldine Mills, two person show
2007 ‘Zones Contemporary Art Fair - Celebrating Art Basel’, Miami, USA, incorporating ZonesSolos, ZonesGroups, ZonesVideo, ZonesPerformances, ZonesConversations, ZonesMusic, ZonesGalleries, internationally curated by Charo Oquet
2006 ‘ZonesPerformance’, Edge Zones Art Complex, Zones Contemporary Art Fair - Celebrating Art Basel, Miami, USA, with Maritza Molina, Maja Horn, Rachel Hoffman, Elena Tejada-Herrera, Frank George Kanelos, Juan-Si, internationally curated by Charo Oquet and Elena Tejada Herrera
2006 ‘Human Technology’, London Biennale, Synergy Gallery, London, internationally curated by Rose Marie Lopez, UK
2006 Self-Raising, COFA SA emerging art + design award
2006 ‘OUTVIDEO 06’, 3rd International videoart festival in public spaces, June 5 - July 5, 2006. Festival places: Moscow, Saint Petersburg, Volgograd, Voronezh, Irkutsk, Kaliningrad, Krasnodar, Perm, Rostov-on-Don, Riazan, Samara, Sochi, Ufa, Yaroslavl, Yekaterinburg and Surgut (Russia), internationally curated by Arseny Sergeyev.
2006 Woollahra Small Sculpture Prize
2005 Sedition, Casula Powerhouse Arts Centre, Casula
2005 Meadow Flat Art Festival, The Old Church, Meadow Flat
2005 ‘Elastic’, Kudos Gallery, Sydney
2005 ‘Helen Lempriere Traveling Art Scholarship Finalists Exhibition’, Artspace Visual Arts Centre, Sydney, curated by Tanya Doropoulos
2005 ‘At Laird MacKenny’s’, Kudos Gallery, Sydney, with Jacqueline Byrnes and Sandra Scheffknecht
2004 ‘Helen Lempriere Traveling Art Scholarship Finalists Exhibition’, Artspace Visual Arts Centre, Sydney, curated by Tanya Doropoulos
2003 ‘Terrain’, Bathurst Regional Art Gallery, Bathurst, curated by John Douglas, with Shaun Gladwell, Jennifer Leahy, David Pavich, Alex Kershaw, Michael Schiavello, John Douglas
2003 ‘Helen Lempriere Traveling Art Scholarship Finalists Exhibition’, Artspace Visual Arts Centre, Sydney, curated by Nicholas Tsoutas
2002 ‘Slacking Off’, Imperial Slacks Gallery, Sydney
2002 ‘Helen Lempriere Traveling Art Scholarship Finalists Exhibition’, Artspace Visual Arts Centre, Sydney, curated by Nicholas Tsoutas
2002-01 ‘Stranger Than Truth’, Australian Centre for Photography, Sydney Festival, Sydney, internationally curated by Dr. Peter Hill, with Joan Fontcuberta, Peter Fitzpatrick, Luke Roberts, The Fricke & Schmid Collection, Patrick Pound, Spirit Photography from Collection of Sir Arthur Conan Doyle, Ross Felix, Alexa Wright, Hardy & Strong, Peter Hill
2001 ‘Helen Lempriere Traveling Art Scholarship Finalists Exhibition’, Artspace Visual Arts Centre, Sydney, curated by Nicholas Tsoutas
1999 'Substitutive', Gallery Saint Eustache (in Seche artist collective program), with Celine Berger and Eleanore Cheneau, Paris, internationally curated by Celine Berger
1999 'Ground Up', Artspace, Sydney, internationally curated by Adam Boyd, with Yenda Carson, Judith Duquemin, Anita Fricek, Sonja Porcaro, Margaret Roberts, Regina Walter
1999 'Lightness of Mind', Newspace, Sydney, curated by Judith Duquemin, with Billy Gruner, two person show
1999 ‘Top 100 Australian Contemporary Artists’, Newspace, Sydney, curated by Judith Duquemin
1999 'The Graduate Season 1999', Canberra School of Art Gallery, Canberra
1998 'Tunnel of Love' Canberra Contemporary Art Space, Canberra
1997 ‘Aqueous Humour/Speaking Objects’, Spiral Arm Gallery, Canberra, with Froni Binns, two person show
1997 ‘The Truth is Out There’ Canberra Contemporary Art Space, Canberra
1996 'Drawings', Spiral Arm Gallery, Canberra, with Noni Nixon, Shane Breynard, John Vance, Phillip Rolfe
1995 'Finish: 1995 Graduating Students', Painting Department and Canberra School of Art Gallery, Canberra
1995 ‘Corpes Inerte’ group show of individual performances, Saint Chapelle, École nationale supérieure des Beaux-art, Paris, internationally curated by Marina Abramoviç, with Marie Barronette, Olivier Quaglia, Serge Agostone, Phillipine, Alecia Smith, Megan Watson
1994 Drawings, Photospace, Canberra School of Art, curated by Alex Danko
Selected Publications and Media
2015 Paramor Prize: art + innovation, colour catalogue
2015 (forthcoming) Catalogue for 5th Riga International Textiles and Fabric Triennale
2014 Elliot Davies, Artrudge – When Things Go Bump At The Derby Quad, FCK LND, November 2, 2014, http://fckldn.com/the-arts/things-go-bump-derby-quad/
2014 Two new Quad exhibitions, Belper News, 26 September, 2014, http://www.belpernews.co.uk/what-s-on/out-about/two-new-quad-exhibitions-1-6848784
2014 Prue Gibson, Hijacking ‘telepathic art experience’ as a speculative aesthetic, Evental Aesthetics, 6000 word double-blind peer reviewed article focusing on my artwork, http://eventalaesthetics.net/
2014 Ann Finnegan, Visit Kandos, Cement a Friendship, Artlink (Contemporary art of Australia and Asia-Pacific), Volume 34, Number 4
2014 Bernadette Smith, “Exploring Art Responses in Australia to the Global Financial Crisis”, Arena Magazine (The Australian Magazine of Left Political, Social and Cultural Commentary) November, 2014
2014 Incinerator Art Award: Art for Social Change, Incinerator Gallery and City of Moonee Valley, 35 page colour catalogue
2014 Grace Cossington Smith art award 2014: National prize for two dimensional art, Grace Cossington Smith Gallery and Abbotsleigh, 39 page colour catalogue
2014 Fleur MacDonald, Modern Art Projects, sixtoeight, http://www.sixtoeight.net/
2014 Helen Razer, Sydney Biennale: artists divide over dirty money, Crikey, February 20, http://dailyreview.crikey.com.au/sydney-biennale-artists-divide-over-dirty-money/
2014 Jacquelene Drinkall, Eco Spirit catalogue essay, Modern Art Projects, hardcopy A3 colour catalogue, 46 pages and online publication of essay: http://www.modernartprojects.org/eco-spirit-exhibition/ and artist profiles: http://www.modernartprojects.org/category/eco-spirit-artists/
2014 Jacquelene Drinkall invited conversation with Cathy Vogan, 2RSR FM – Transfield and the Biennale Boycott, https://soundcloud.com/cathy-vogan/2rsr-fm-dr-jacqueline-drinkall, March, Jacquelene Drinkall was also invited back to talk on Biennale of Sydney and Luca Belgiorno Nettis’ resignation in Cathy’s morning show the following week.
2014 Matthew Kiem, Should artists boycott the Sydney Biennale of Transfield links?, The Conversation, February 12, http://theconversation.com/should-artists-boycott-the-sydney-biennale-over-transfield-links-23067
2014 Van Thanh Rudd, The case for boycotting the Biennale, Overland, February 24, http://overland.org.au/2014/02/a-case-for-boycotting-the-biennale/
2014 Sarah Breen Lovett, Morton House + Eco Spirit, Architecture AU, http://architectureau.com/calendar/public-event/morton-house-eco-spirit/
2014 Sarah Breen Lovett, MAP – Morton House ‘Open House’ Day, http://architectureau.com/calendar/public-event/morton-house-eco-spirit/
2013 Jacquelene Drinkall, Fukushima Firefox (cover art), in Eds. Tom Apperley and Christopher S. Walsh, Digital Culture and Education, Volume 5, issue 2, http://www.digitalcultureandeducation.com/uncategorized/cover-art-volume-5-issue-1/
2013 Andrew Frost, ‘Brainrain’, The Art Life, November 29, 2013, http://theartlife.com.au/2013/brainrain/
2013 Jacquelene Drinkall, Weatherman UFOlogy (Kandos Occupation, ABC News, October 13, http://www.abc.net.au/news/2013-10-16/jacquelene-drinkall-weatherman-ufology/5026900
2013 Andrew Frost, ‘Unidentified Flying Data / Fanservice’, The Art Life, November 8, 2013, http://theartlife.com.au/2013/unidentified-flying-data-fanservice/
2013 Dion Archibald, ‘The Blake Prize Finalists for 2013’, Art News Blog, October 10, 2013, http://www.artnewsblog.com/the-blake-prize-finalists-for-2013/
2013 Jacquelene Drinkall, ‘Weatherman UFOlogy (Kandos Occupation)’, artist image essay, Runway Australian Experimental Art, #23, Prototype. Contributor page: http://runway.org.au/category/contributor/jacquelene-drinkall/ , see also Weatherman UFOlogy article page: http://runway.org.au/jacquelene-drinkall/
2013 Jacquelene Drinkall, ‘Brainrain’, commissioned by Gianni Wise, curator, for catalogue essay for Brainrain
2013 ‘Blake Prize 2013’, colour catalogue
2013 ‘Olive Cotton Portrait Prize, 2013’, with essay by Helen Ennis, colour catalogue
2013 ‘Kandos’, Fran Tilley and Justin Hewitson, a film documentary with interviews by the documentary makers and by curator Michael Dagostino (forthcoming)
2013 individual interview focusing on Weatherman UFOlogy (Kandos Occupation) at Cementa_13 by Ruth Skilbeck for peer reviewed art journal (forthcoming)
2013 ‘Carpentry of Speculative Things: An Art Experiment’, catalogue with texts by Prue Gibson and Professor Steven Mueke
2013 Shirin Borthwick, The Carpentry of Speculative Things, Concrete Playground, http://www.biennaleofsydney.com.au/19bos/events/event-for-a-stage/
2012 ‘Inaugural Skillset’s Flannery Centre Art Prize, 2012’, Flannery Centre, 15 page colour catalogue
2012 ‘Hidden: A Rookwood Sculpture Walk, 2012’, Sydney – catalogue
2012 Prue Gibson, ‘The Phenomenology of Art (Love and Telepathy)’; my work was discussed within the context of ‘telepathy as a love letter (a dispatch, as articulated by Derrida) in the work of Veronica Kent (of Sean Peoples Veronica Kent), the Mangano Twins and Jacquelene Drinkall; School of Arts and Media Seminars, University of New South Wales’ (paper publicly presented towards Prue Gibson’s PhD thesis)
2012 Interview for documentary film in artist studio, by University of Western Sydney Communications Students Bernice Wildhaber and Josh
2012 Lisa Anderson and Jacquelene Drinkall, ‘What Were You Thinking?’, half hour radio interview with Dr Lisa Anderson, November 28, eastside FM 89.7
2012 Jacquelene Drinkall, ‘#F12 International Occupy Art Day of Creative Action (Sydney)’, colour catalogue for widespread CBD art exhibition, installation, education and events forum – also associated with Artspace Visual Arts Centre Open Studio and Film Launch by Zanny Begg and introduced by Steve Keen
2012 Interviewed by Carl Scrase at Symbiotica via skype as part of his Empathy Virus project, http://www.youtube.com/watch?v=yfuo_KGUCo4
2012 Artpost: What’s On, Marrickville Council, http://artpost.marrickville.nsw.gov.au/node/242
2011 Virtually Reality, http://www.youtube.com/watch?v=uguuxdU4JCU
2011 Jake Millar, ‘Five More Exhibitions You Must See - 5. Weather Underwater at First Draft Gallery, Surry Hills’, http://everguide.com.au/sydney/event/2011-aug-10/weather-underwater-with-elf-balaclava-fascinators, August
2011 Zacha Rosen, ‘Four Exhibitions’, in Concrete Playground,
http://sydney.concreteplayground.com.au/event/29760/four-exhibitions.htm
2011 Artwhatson, ‘August at Firstdraft – Weather Underwater with ELF Balaclava Fascinators’, http://www.artwhatson.com.au/firstdraftgallery/august-at-firstdraft-drinkallbirchallmcdonaldfinneranghaemi/weather-underwater-with-elf-balaclava-fascinators, August
2011 Linnart Nilsson, ‘Avatars support Occupy Wall Street’, Tisdagen Den 11: E Oktober http://apmel.blogspot.com/2011/10/avatars-support-occupy-wall-street.html
2011 ‘Live Stage: Charging Bull – Wall Street’, in Networked Performance, http://turbulence.org/blog/2011/10/09/live-stage-charging-bull-wall-street-online/
2011 Wagner James, ‘Virtual Wall Street Protest in Blue Mars Light This Sunday’, in New World Notes, Friday, October 07
2011 Lisa Anderson and Jacquelene Drinkall, ‘What Were You Thinking?’, half hour radio interview with Dr Lisa Anderson, November 28, eastside FM 89.7
2011 ABC National News, NSW, September 15, 7pm, http://www.abc.net.au/news/2011-09-15/60th-blake-prize-for-religious-art/2901058
2011 James O’Brien, ‘Blake Prize and Sydney Life’, September 24, http://jamesobrien.id.au/2011/09/24/blake-prize-and-sydney-life/
2011 The Australian, web gallery of 21 select finalists, http://www.theaustralian.com.au/news/arts/gallery- e6frg8n6-1226120620627?page=4
2011 Jacque Drinkall, The Art and Flux of Telepathy 2.0 in Second Life, Nelson Zagalo, Leonel Morgado and Ana Boa-Ventura (eds), ‘Virtual Worlds and Metaverse Platforms: New Communication and Identity Paradigms’, IGI Global, http://sites.google.com/site/metaverseparadigms/ (forthcoming – final draft accepted by publishers October 2010)
2010 Claire Taylor, ‘Remote Viewing’ (colour exhibition catalogue)
2010 Elizabeth Stanton, ‘A good ARI isn’t hard to find’, Art Month Sydney 2010
2010 Lissa Christopher, ‘Remote Viewing’, Open Gallery, Sydney Morning Herald, February 27-28
2009 Front, special issue themed ‘Discipline,’ March-April, Vancouver, British Columbia, Canada (bi-monthly contemporary art magazine of The Western Front artist run gallery)
2008 Daine Singer, ‘Walking Towards Weatherman UFOlogy’, Runway, November edition
2007 Aaron Seetto, Otherworldsothernews, catalogue by Ergas Foundation and STARKWHITE Gallery (colour exhibition catalogue)
2007 Anthony Bond, ‘Duke Prize’, Gold Coast City Art Prize (colour exhibition catalogue)
2007 Supermix, Union of the Diverse Contemporary Art in Miami, Edgezone publication, edited by Charo Orquet, Miami, USA (large book with coloured plates)
2006 ‘Woollahra Small Sculpture Prize’ (colour exhibition catalogue)
2006 Arseny Sergeyev, DVD Festival Catalogue, ‘OUTVIDEO 06’, 3rd International videoart festival in public spaces, Moscow et al.
2006 Rose Marie Lopes, Francis Paul Emberson and neo-dogma-non, ‘Human Technology’, (60 page colour exhibition catalogue), Human Awareness / neo-dogma-non / London Biennale, London.
2006 Melanie Watkins, COFA magazine, ‘Outstanding Quality and Diversity’, 15, Summer
2005 Art and Mayhem, October 3 (blog)
2005 Uniken, ‘Storm Clouds Ahead,’ Issue 28, 13
2004 Peter Hill, Sydney Morning Herald, Weekend Ed., Spectrum, Visual Arts, Time Travellers, Aug 21, 18
2004 the art life, http://artlife.blogspot.com/2004_08_01_artlife_archive.html
2003 Peter Hill, (Ivan Dougherty Gallery and Central Academy of Fine Arts, Beijing, catalogue) Love Letter to China ‘Concept, Process and Tradition’, (colour exhibition catalogue)
2003 Alex Torrens, Weekend Advocate, ‘Exhibition offers challenge’, Saturday, May 3, 12
2003 Peter Hill, Sydney Morning Herald, Weekend Edition, Spectrum, ‘Magical Mystic Tour’, Saturday, May 31-Jun 1, 2003, 12-13, 13
2003 Prime TV, May 21, 11.45 - interview
2003 The Western Advocate, 48 Hours, ‘Triple exhibition launch at Bathurst art gallery’, May 5, 2003, 11
2003 Peter Hill, Sydney Morning Herald, Metro, Exhibitions, ‘Sydney’s top young artists are looking for pay-dirt in Bathurst, reports Peter Hill’, Friday, May 23, 22
2003 Western Advocate, ‘Three new exhibitions for gallery’, May 2
2003 Western Magazine, Bush Telegraph, ‘Tracking and Terrain’, May
2003 Peter Hill, (exhibition catalogue) ‘Terrain’, (untitled essay) Australia Council and BRAG, June 3-May 8
2003 Dominique Algeloro, Sydney Morning Herald, Exhibitions, ‘Travelling circus’, Friday, Aug 15-21, 22
2003 Peter Hill, ‘Map of the Territory: Urban Bound COFA Artists Reach Into the Outback’, http://www.unsw.edu.au/college/archive, April 24
2002 Peter Hill, Sydney Morning Herald, Metro, Exhibitions, Critic’s Picks, ‘Helen Lempriere Traveling Art Scholarship’, Friday, August 16-22, 27
2002 Alisdair Foster/Peter Hill, Stranger Than Truth, Australian Centre for Photography, 2002Sydney Festival, ‘Stranger Than Truth’, room notes, January 2002, 1-5, 3
2002 Sunday Telegraph, and Daily Telegraph, (Sydney Festival Catalogue) ‘Stranger Than Truth’, 52
2002 Sydney Morning Herald, Weekend Edition, Metropolitain, Spotlight Entertainment Planner, ‘Fun With Phantoms, Best Superfiction’, Friday, January 4
2006 The Daily Telegraph, SydneyLive, ‘Stunning show from celestial bodies’, Saturday, January 5, 72
2002 Jessica Halloran, Sydney Morning Herald, Weekend Edition, Metropolitain, Spotlight Entertainment Planner, ‘When Luck and Chaos Intersect’, Wednesday, January 16
2002 Benjamin Genocchio, Weekend Australian, Arts, ‘Not just another frock show: The Sydney festivals approach to the visual arts’, January 19-20, 21
2001 Artlink Exhibitions to Watch, 21.4, 71
2002 Victoria Hynes, Sydney Morning Herald, Metro, Focus Pocus,January 18-24, 26
2002 Sydney Morning Herald, Metropolitain, Sydney Festival: Photography, January 23, 13 2002 Sydney Morning Herald, Weekend Edition, Metropolitain, Stranger Than Truth, February 9-10
2001 Sydney Morning Herald, Weekend Edition, Metropolitain, Spotlight Entertainment Planner, Best Spooky Images, December 29-30
2001 Amanda Lawson, Western Advocate, Installation works expand boundaries of art, Saturday, May 12, 6
2001 Fiona Stewart, Weekend Advocate, People We Meet, The Magic Lantern, Saturday, March 31, 13
2001 The Tablelands Post, Bathurst Regional Art Gallery, March 2001
2001 Anne McLaughlin, Weekend Advocate, Interact with Art, Saturday, March 3, 6
2001 Fiona Stewart, Western Advocate, Three exhibitions launched, Monday, February 26, 6
2001 Western Advocate, New Art, Friday, February 23, 7
2001 Prime TV -Arts Out West
2001 Win TV - Local news bulletin
2001 Radio 2BS
2001 ABC Radio
2001 2MCE-FM (2 Interviews)
2000 Western Advocate, Special Guest (Making Art - Regional Schools Exhibition), May 27
1999 Sonja Porcaro, Broadsheet Contemporary Visual Arts and Culture, a line to its plane (Awaiting (at) the Arrival), 28. 4, Summer 1999-2000, 10-11, 11
1999 Adam Boyd, (exhibition catalogue) Ground Up, Artspace Visual Arts Centre, From the ground up, Sydney
1999 Nigel Lendon, (exhibition catalogue) The Australian National University, and Canberra Museum and Gallery, January-March 1999, The 1999 Visual Arts Graduate Program Examination Exhibitions
1999 Canberra Times, The Graduate Season, January
1999 Judith Duquemin, (Newspace catalogue) Lightness of Mind
1998 Guest Editor Aileen Keating, Antithesis, ANU, ITA Postgraduates produce outstanding work, PARSA, ANU, Summer, 8-9
1998 Live Interview, Art Zone with Anne Oheir, Canberra Community Radio 2XX 1998 Jacqui Drinkall Antithesis, ANU, Postgraduates Lose Out in ITA Cuts, Guest Editor Aileen Keating, PARSA, ANU, Summer, 6-7, 9-10
1997 Helen Musa, A Capital Life, Arts & Entertainment, The Canberra Times, Saturday, July 12, C9
1997 Live Interview on Art Zone with Anne Oheir, Canberra Community Radio 2XX
1996 Sonia Barron, Canberra Times, Postgraduate Art, (Drawings exhibition, Spiral Arm Gallery)
1995 David Williams, (exhibition catalogue) Finish: 1995 Graduating Students Exhibition
1993 Editor Kate Ireland, Narcissus, ANU Literary Society, English Department, 9, pages 6, 7, 12, 13, 14, 16,17, 20, 21, 30 and back cover
Selected Representation in Collections
Sydney Prue Gibson; Toby Blyth; Dr. David McNeill & Dr. Jill Bennett; Melissa Neidorf; Carol & Glynne Peters; Jacquelene Drinkall, Phatspace Video Library, Nina Schneider; Simon Cooper
Blue Mountains Ian Milliss
Melbourne Froni Binns; Dr. Peter Hill
Paris, France Celine Berger; Hector Richard
Brest, France Pierre Laurent
Shanghai, China Susie & Matthew Schwager
Miami, USA Elena Tejada Herrera
Canberra Dr Vanessa Robins & Dr Karl Claxton; Ross Cornwall; David Nugent
Bathurst Bathurst Regional Art Gallery; Dott & Peter Drinkall
Newcastle Anne & Tony McLaughlin
Belgrade, Serbia Re-mapping Performance Art / Video Archive
Weimar, Germany Back-Up Video Archive
Tallin, Estonia Inport (Video and Performance Art Archive)
Selected Publications authored and/or edited by Jacquelene Drinkall
2015 Paper invited for Aesthetics After Finitude symposium and publication at UNSW Art and Design TO BE PEER REVIEWED, INTERNATIONAL
2014-15 ‘All that is Solid: Aesthetics of Quantum Telekinesis and Telepathic Smart Dust’, in Leonardo Electronic Almanac (LEA) publication, as special edition of conference proceedings for New Cloud and Molecular Aesthetics for The Third International Transdisciplinary Imaging Conference at Pera Museum, Instanbul PEER REVIEWED, INTERNATIONAL – special edition of journal
2014-15 ‘Feminist Telepathy and UFOlogy of Susan Hiller’, invited by Ruth Skilbeck to contribute book chapter for book UFOs, Telepathy, Spacecraft, Aliens and Fugue Anthology, Postmistress Press (forthcoming) INVITED PEER REVIEW, INTERNATIONAL
2014 New Telepathies, Immaterial Labour and Cognitive Materialism invited by Warren Neidich for Psychopathologies of Cognitive Capitalism (due October 15), on telepathy and its relation to the cognitive turn in cognitive capitalism, immaterial labour, cognitive materialism and Quentin Meillassoux’s notion of Extro-Scientific Fiction INVITED PEER REVIEWED BOOK CHAPTER, INTERNATIONAL
2014-15 Updated adaption of my thesis into book publication integrating deeper philosophical introduction and conclusion drawing on current discourses of Cognitive Capitalism, Affect, Immateriality and Speculative Realism/Materialism – Telepathy in Contemporary, Conceptual and Performance Art PEER REVIEWED
2014-15 Invited by Goldsmiths Professor Lisa Blackman (expert on telepathy and affect discourses) to publish in Body and Society and Subjectivity journals, and to collaborate with her in future work. Lisa Blackman contacted me to express interest in collaborating in the future, and she has discussed my work in recent talks. (forthcoming) INVITED HIGH IMPACT REVIEWED JOURNAL ARTICLES AND COLLABORATION, INTERNATIONAL - TO BE PEER REVIEWED
2014 Interview with sound artist and theorist Marc Coroux at Goldsmiths College, co-authored with Amy Ireland, Baylee Britts, Laura Lotti, Adam Hulbert and Jacquelene Drinkall, to be published in Parrhesia and/or Aesthetics After Finitude blog. CURRENTLY UNDERGOING PEER REVIEW, INVITED
2014 Catalogue essay for Eco Spirit, invited by MAP projects in historic modern houses funded by Blue Mountains City Council, working with Morton House, 42 pages with colour plates, curated by Jacquelene Drinkall INVITED PEER REVIEWED CATALOGUE MONOGRAPH
2014-15 (forthcoming) Warren Neidich invited me to edit a “best of’ hardcopy edition of ‘The Journal of Neuro-Aesthetic Theory’, including internationally significant artists and theorists such as Brian Massumi, Maurizzio Lazzarato, Olufur Eliasson, Scott Lash, Lev Manovich, John Armleder and Barbrara Maria Stafford INVITED HIGH IMPACT BOOK, INTERNATIONAL - TO BE PEER REVIEWED
2014-15 (forthcoming) Appointed editor of ‘The Journal of Neuro-Aesthetic Theory’ on the theme of Telepathy, Extended Cognition and Conceptual Art, an Artbrain journal, and invited by Dr. Warren Neidich. Warren Neidich and I are currently co-authoring a paper for the introduction to this edition. INVITED HIGH IMPACT ONLINE JOURNAL (receives more than 10 000 hits per year) - TO BE PEER REVIEWED
2014 Jacquelene Drinkall, ‘World Telekinesis Competition’, invited text – catalogue publication for exhibition curated by Doug Jarvis and Ted Hiebert (forthcoming – final editing stage) INVITED PEER REVIEWED INTERNATIONAL
2013 Editor Tom Apperley, Jacquelene Drinkall, Digital Culture and Education, http://www.digitalcultureandeducation.com/uncategorized/cover-art-volume-5-issue-1/ INVITED PEER REVIEW INTERNATIONAL
2013 Jacquelene Drinkall, ‘Weatherman UFOlogy (Kandos Occupation)’, artist image essay with artist captions, Runway Australian Experimental Art, #23, Prototype. Contributor page: http://runway.org.au/category/contributor/jacquelene-drinkall/
Weatherman UFOlogy article page: http://runway.org.au/jacquelene-drinkall/ PEER REVIEW
2013 Jacquelene Drinkall, ‘Brainrain’, commissioned by Gianni Wise, curator, for catalogue essay for Brainrain https://www.academia.edu/6633434/Brainrain_invited_author_for_exhibition_catalogue_essay_ INVITED PEER REVIEW
2012 Jacquelene Drinkall in interview with Carl Scrase at Symbiotica via skype as part of his Empathy Virus project, http://www.youtube.com/watch?v=yfuo_KGUCo4, January 2012
2012 Jacquelene Drinkall, #F12 International Occupy Art Day of Creative Action (Sydney), colour catalogue for widespread CBD art exhibition, installation, education and events – also associated with Jacquelene Drinkall’s Artspace Visual Arts Centre Open Studio February 10-13; with Film Launch by Zanny Begg, introduced by Steve Keen at Artspace Seminar Room
2011 Jacquelene Drinkall and Sancha Donald, ‘2010 Survey of Arts Programs and Projects for People with Disability’, author of survey questions and survey report (foundation for the organisation’s 5 year strategic plan), http://www.aarts.net.au/policy-research/2010-survey-of-arts-programs-and-projects-for-people-with-disability-in-nsw/ PEER REVIEWED EDUCATION REPORT - NATIONAL
2011 ‘Human and Non-Human Telepathic Collaboration Since Fluxus to Now’, Collaborations in Modern and Postmodern Visual Art, Colloquy, Social and Aesthetics Research Centre (SARU), School of English and Communications and Performance Studies, Arts Faculty, Monash University. HIGH IMPACT PEER REVIEWED BOOK CHAPTER - NATIONAL
2011 ‘The Art and Flux of Telepathy 2.0 in Second Life’, Nelson Zagalo, Leonel Morgado and Ana Boa-Ventura (eds), ‘Virtual Worlds and Metaverse Platforms: New Communication and Identity Paradigms’, IGI Global, http://sites.google.com/site/metaverseparadigms/, a book chapter in a large hardcopy textbook that is also available online INVITED HIGH IMPACT PEER REVIEWED BOOK CHAPTER - INTERNATIONAL
2009 Eds. Ido A. Igurel, Nelson Zagalo, Paolo Petta, Interactive Storytelling, ‘Traumaculture and Telepathetic Cyber Fiction’, Second Joint International Conference on Interactive Digital Storytelling, ICIDS 2009, Guimares, Portugal, December 2009, Proceedings, Springer LNCS 5915, 2009, 163-173, http://www.springerlink.com/content/614872202t757213/ HIGH IMPACT PEER REVIEWED BOOK CHAPTER - INTERNATIONAL
2009 Jacquelene Drinkall (Designer and Editor) and Catherine Gander (CEO), Annual Report for NSW Women’s Refuge Movement Resource Centre PEER REVIEWED REPORT - NATIONAL
2006 Jacquelene Drinkall, ‘Telepathy in Contemporary, Conceptual and Performance Art’, online access via UNSW library and Australian Digital Thesis database PEER REVIEWED UNPUBLISHED THESIS
2002 Jacquelene Drinkall co-author contributor with AUQA trial audit team of UNSW, ed. Emeritus Professor Adrian Lee, ‘AUQA Trial Audit of UNSW’, submitted to DETYA of the Australian Government PEER REVIEWED EDUCATION REPORT - NATIONAL
1999 Jacquelene Drinkall, ‘Metaphors of Telepathy, Transference and Telecommunications,’ National Institute for the Arts Library PEER REVIEWED UNPUBLISHED THESIS
1997 Jacquelene Drinkall, Antithesis, ‘Postgraduates Lose Out in ITA Cuts,’ Guest Editor Aileen Keating, PARSA, ANU, Summer 1998, 6-10, http://www.anu.edu.au/parsa/publication/antithesis/past/1998/AntSum98.html INVITED PEER REVIEWED JOURNAL - NATIONAL
1997 Jacquelene Drinkall, ‘Postgraduates Produce Outstanding Art,’ Guest Editor Aileen Keating, PARSA, ANU, Summer 1998, 8-9, http://www.anu.edu.au/parsa/publication/antithesis/past/1998/AntSum98.html INVITED PEER REVIEWED JOURNAL - NATIONAL
1997 Jacquelene Drinkall, Artistic editor of Antithesis, PARSA, ANU, Summer 1998 INVITED PEER REVIEWED JOURNAL - NATIONAL
Selected Curatorial Work
2014 ‘Eco Spirit’, invited by MAP projects in historic modern houses funded by Blue Mountains City Council, working with The Griffin Garden House and artists Alex Wisser, Georgina Pollard, Sarah-Jane Norman, Ben Denham, John A Douglas, Gianni Wise, Beatta Geyer, Locust Jones, Vicky Browne and Fiona Davies.
2012 ‘#F12 International Occupy Art Day of Creative Action’, Sydney - numerous community art activities at Martin Place and CBD; solo exhibition Open Studio at Artspace Visual Art Centre in studios 6 and 11; host to Zanny Begg and Oliver Ressler’s film premier ‘The Bull Laid Bear’ launched in Artspace seminar room, with lecture by maverick economist Steve Keen; and co-organiser of Free School presentations by artists and art theorists Dr David McNeill, Diego Bonetto, Matthieu Gallois, Dr. Rebecca Conroy
2002 ‘Terrain,’ Bathurst Regional Art Gallery, curatorial concept advisor to John Douglas - artists Alex Kershaw, Sean Gladwell, Michael Schiavello, Jennifer Leahy, John Douglas, Jacquelene Drinkall
2001 ‘Artist’s Selection,‘ Bathurst Regional Art Gallery, co-curated with Anne McLaughlin
1998-99 Gallery Assistant, Canberra School of Art Gallery, ITA, ANU
1993 ‘Narcissus’ Humanities Research Centre, curator, Australian National University
Selected Artist Talks and Presentation of Papers
2015 ‘Anthropocene Aesthetics of Telepathy and Action-At-A-Distance in New Materialisms’, Aesthetics After Finitude conference hosted by School of Arts and Media and UNSW Art and Design.
2014 Drinkall, Jacquelene (first author), Peter Hill, Gianni Wise. 2014 “Aesthetics of Quantum Action At A Distance in Transdisciplinary Art and Theory.” Poster presentation at the Australian Institute of Physics congress The Art of Physics. Presented at Melville Hall, Australian National University, December 7-11.
2014 Artist talk for ‘As If’ group exhibition at Kings ARI, Melbourne
2014 Panelist with Alana Lentin, Angela Mitropolous, Matt Keim and Gianni Wise to discuss Sydney Biennale and Transfield, invited by Sydney Democracy Network, Festival of Democracy, University of Sydney
2014 Fictions Beyond Science: quantum physics in contemporary, conceptual and performance art, as part of the Conquest of Space symposium at COFA UNSW
2014 All that is Solid: Aesthetics of Quantum Telekinetics and Telepathic Smart Dust, presented at New Cloud and Molecular Aesthetics themed Third International Conference on Transdisciplinary Imaging at the Intersections of Art, Science and Culture, Istanbul, June 2014
2014 Curator talks for Eco-Spirit, Morton House Open Day, Modern Art Projects, Woodford, Blue Mountains
2013 Artist talk, Firstdraft Gallery, as part of my solo exhibition Unidentified Flying Data
2013 Eight artist talks involving participatory and collaborative performance-based interaction, Cementa_13, Kandos
2012 Artist talk, Artspace Open Studio, to AGNSW Saturday Gallery Tour participants
2012 Invited speaker for exhibition ‘Occupy the Future’ curated by Jo Holder, with exhibiting artists Sarah Goffman, Mini Graff, Fiona MacDonald, Deborah Kelley, Cross Art Gallery, Sydney
2011 Artist talk hosted by ARTcycle and ATVP gallery
2011 ‘Art and Revolution’, Occupy Melbourne Free School, Flagstaff Gardens, Melbourne
2011 ‘Art, Tent Monsters and Revolution’, Occupy Sydney Free School, Martin Place, Sydney
2011 Jacquelene Drinkall and Sancha Donald (collaborative talk and PowerPoint presentation), Post-Schools Programs, Jacquelene Drinkall, this talk was a summary of the survey and 5 year strategic plan and survey report undertaken by Jacquelene Drinkall under the supervision of Accessible Arts CEO Sancha Donald titled 2010 Survey of Arts Programs and Projects for People with Disability, at the National Disability Service (NDS) NSW Annual State Conference: Walk the Talk Together, http://www.aarts.net.au/policy-research/2010-survey-of-arts-programs-and-projects-for-people-with-disability-in-nsw/
2010 ‘Politics of Telepathic Collaborations: The 60s, 80s and Now’, for the conference Collaborations in Modern and Postmodern Visual Art, hosted by Social and Aesthetics Research Centre (SARU), School of English and Communications and Performance Studies, Arts Faculty, Monash University. Presented at Monash Conference Centre.
2009 ‘Traumaculture and Telepathetic Cyber Fiction’, International Conference on Digital Storytelling, Guimaraes, Portugal (20 minutes paper and powerpoint)
2009 ‘Weatherman UFOlogy Project: Practicising Socio-Political Aesthetics of Telepathy in Art, Critical Animals, This Is Not Art Festival, Newcastle (20 minute paper and powerpoint)
2007 ‘Weatherman UFOlogy: Work in Progress,’ Artspace Visual Arts Centre, Sydney (20 minute powerpoint)
2006 ‘Political Aesthetics of Telepathy in Fluxus Art,’ FLUX postgraduate conference, School of Art History, Cinema, Classics and Archeology, University of Melbourne, (20 minute paper) Melbourne
2006 Politics of Telepathy: Surveillance, Zero (Moral) Gravity and Nuclear Threat (on the work of UK artist twins Jane and Louise Wilson), COFA, UNSW (25 minute paper), Sydney
2005 ‘Telepathy in Contemporary, Conceptual and Performance Art 3’, SAHT, COFA, UNSW
2003 Artist Floor Talk, Bathurst Regional Art Gallery
2001 ‘Telepathy in Contemporary, Conceptual and Performance Art 2’, SAHT, COFA, UNSW
2001 Terrain, Artist Exhibition Tour and Talk, Bathurst Regional Art Gallery
2001 Stranger Than Truth, Artist Floor Talk, Australian Centre for Photography
2001 ‘Making art as an emerging artist & postgraduate,’ Guest Artist Talk, Professional Practice, COFA UNSW
2000 ‘Why Students of the Bathurst Region Should Consider a Career in Visual Art’, DETYA and Bathurst Regional Art gallery, Making Art - Regional Schools Exhibition
1999 ‘Telepathy in Contemporary, Conceptual and Performance Art 1’, SAHT, COFA, UNSW
1999 Preview, Artist Floor Talk, Canberra School of Art Gallery
1997 ‘Metaphors of Telepathy, Telecommunications and Transference 2’, CSA, ITA, ANU
1996 ‘Metaphors of Telepathy, Telecommunications and Transference 1’, CSA, ITA, ANU
Lecturing and University Employment
2011-15 Honorary Research Associate, College of Fine Arts, University of New South Wales (unpaid – looking for paid university employment)
2012 Lecturer, Masters of Interactive Design and Electronic Art, Design Lab, Faculty of Architecture, Design and Planning, University of Sydney, casual/part-time contract
2009-10 Lecturer, level B step 4, School of Creative Arts, JCU, 6 month full-time contract (Printmaking, Painting, Introduction to Visual Art, Histories and Theories of Creative Practice)
2009 Lecturer, Masters of Interactive Design and Electronic Art, Faculty of Architecture and Design Computing, University of Sydney, casual
2007 Teaching Assistant for Dr David McNeill, ‘Current Issues in Art,’ Art History and Theory, COFA, UNSW, casual/part-time
2000-06 Research Assistant for Emeritus Professor Sue Rowley, Emeritus Professor Adrian Lee, Professor, Associate Dean (Research) Jill Bennett, Associate Professor Joanna Mendelssohn, Associate Professor Peter Hill, and the Art Association of Australia and New Zealand, casual/part-time
2000-02 Sessional Academic at College of Fine Arts, University of New South Wales - First Year ‘Mapping the Modern’ and ‘Mapping the Postmodern’, Third Year ‘Professional Practice’, Second Year ‘Design Theory’, casual/part-time
2000 CAPA and Creative Arts Postgraduate and Research Student Representative, Australian Research Council, Australia Council for the Arts and DETYA Forum on Research and Professional Practice in the Creative Arts, nominated by Council of Australian Postgraduate Associations (CAPA) executive for short project
2000 Casual Administrative Assistant at Artspace Visual Arts Centre
1999 Eastern Region Secretary, Council of Australian Postgraduate Associations (CAPA), casual
1997-98 Gallery Assistant, Canberra School of Art Gallery, Australian National University, casual
1996 Lecturer and Mentor, Painting Department, Canberra School of Art, ITA, ANU, casual
Professional Development and Extra Education
2015 Saas-Fee Summer Institute of Art, Saa-Fee, Switzerland, organised by Warren Neidich and Barry Schwabsky
2013-14 Dr Tomas Apperley’s seminar series ‘Writing an article in 12 weeks’, School of Arts and Media, University of New South Wales
2013 Dlux Media Professional Artist Workshop Series (PAWS) course in Computer Programming for Artists using the Processing application, with Andrew Burrell.
2013 ISEA workshop, multiple participations – ‘Theta Lab’ with George Khut and James Brown; ‘Global Mind Field’ with Karen Casey and Harry Sokal; ‘Hacking the Body’ with Camille Baker and Kate Sicchio
2013 Museum of Contemporary Art, Creative Neurofeedback Workshop with George Khut and James Brown as part of Vivid Ideas
2011-12 Free School presentations and organizing, as mentioned above in ‘Curatorial Work’ with Occupy Sydney and Occupy Melbourne
2010 James Cook University (JCU) Certificate as Registered Supervisor, Level 4, for research higher degree candidates
2010 JCU Orientation to Teaching and Learning
2009 Certificate IV Training and Assessment, 4 month course 2 days a week at The Learning Lab with renowned trainer Lucy Prior, Surry Hills
2007 Marketing Seminar for Visual Artists, National Association for the Visual Arts
2001 Dr David McNeill’s Professional Development Seminar for Lecturers and Tutors, COFA, UNSW
1996 Photomedia and Intervention in Public Space workshop with Alfredo Jarr, Proposals, Canberra School of Art, ITA, ANU
1989-91 David Brian Wilson Art School, Bathurst, traditional life drawing and painting, studies in anatomy
1991 Top of 2 and 3 unit HSC Visual Art, year 12, Bathurst High School
1988 Dux, year 9, Bathurst High School
Referees and further details available upon request