Jacquelene Drinkall

  • Work
    • Weatherman UFOlogy
    • Weatherman UFOlogy and Occupy Sydney at Alaska Gallery
    • Telepathology
    • Animal Magnetism
    • City Data Hub
    • Telepathic Balaclava Fascinators
    • Schizophrenic Tabernacle Table Tapping
    • Fukushima Firefox
    • Hypnosis in Film
    • Disco Ball Gaze
    • Psychedelic Reconstruction
    • Psychic Scott
    • Weaving My Avatars
    • In Defence of Capitalism
    • EcoDome
    • 10 images
  • International Residencies
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  • Journal of Integral Telepathies
    • Weatherman UFOlogy
    • Weatherman UFOlogy and Occupy Sydney at Alaska Gallery
    • Telepathology
    • Animal Magnetism
    • City Data Hub
    • Telepathic Balaclava Fascinators
    • Schizophrenic Tabernacle Table Tapping
    • Fukushima Firefox
    • Hypnosis in Film
    • Disco Ball Gaze
    • Psychedelic Reconstruction
    • Psychic Scott
    • Weaving My Avatars
    • In Defence of Capitalism
    • EcoDome
    • 10 images
  • International Residencies
  • About
  • News
  • Contact
  • CV
  • Journal of Integral Telepathies

The Art and Flux of Telepathy 2.0 in Second Life /July 14, 2015 by Jacquelene Drinkall

The chapter looks at contemporary art practice in Virtual Worlds, and the effervescence of new technologically mediated telepathies. It was published in 'Virtual Worlds and Metaverse Platforms: New Communications and Identity Paradigms.' 

 

https://www.academia.edu/3487014/The_Art_and_Flux_of_Telepathy_2.0_in_Second_Life

  Tags: Jacquelene Drinkall, telepathy, art, virtual worlds, fluxus, telepathy 2.0
← 'All That Is Solid: speculative, quantum and cognitive aesthetics of telepathy and telekinesis' - forthcoming article in Leonardo Electronic Almanac (LEA) Human and Non-Human Telepathic Collaborations from Fluxus to Now →

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